Takahiko Iimura Movies

Camera, Monitor, Frame is the first installment of Takahiko Iimura's "Video Semiotics Triptych" (the other two works are Observer/Observed, made in...

Visually, each section of the film is composed of 10-second spans of clear and dark leader, arranged in a progressive fashion so that at first there...

"Shot on 8mm on a mountain in Japan, the abrasive winds that drift the fog in Iimura's Kiri are so fierce we almost believe it to have grazed the...

This is a film about a medium approaching extinction, an 8mm documentary film about a vanishing 8mm cinema. Blending two genres, the science film and...

The three faces (two women and one tranvestized man) in the series of close up, which are shot separately in their sexual process of the acting and...

Takahiko Iimura's Models Series

MAN AND WOMAN shows full body shots of a naked man and woman shot from above without movement. They are shown alone as well as together, one over (or...

"In 1 to 60 Seconds Iimura does an extraordinary thing: he abstracts time from any concrete associations, seems to put it on the screen and there you...

labeled in the CCJ as "Why Not Sneeze?", this film has been described as blatantly inspired by Marcel Duchamp’s ANEMIC CINEMA.

“Double Portrait” and “I Love You” are a paired piece with Akiko Iimura. Both Iimuras play individually as well as a unit. In...

The films concerns the "duration" (or non-duration) of one frame, as the title indicates, the minimum unit of film in space (dark and light) with...

This film, and in particular the function of sound within it will vary freely from moment to moment, viewer to viewer.

Film by Takahiko Iimura