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A film about uncanny valleys and the space between. Painted 16mm film undergoes a monstrous transformation becoming neither analog nor digital.

"As a painter carries a sketchbook and practices drawing, I carried a Super 8 camera and shot frame by frame, as an everyday exercise to make...

"The second film in the series, showing my study especially in apparent shapes – a shape that cannot be seen in a single frame but only through...

"The third film in the series, which starts with a sequence of paired images: a focused image and a blurred image of the same subject, which was...

"The fourth film in the series, for which I focused on colors and shapes. It was shot on Kodachrome, all edited in camera, and processed at...

"This is the last film in the series. I shot at the site of Marin Headlands County in California when I was an artist in residence at the Headlands...

"A study in visual rhythm with images of architecture in Manhattan, New York, using the technique I did for the first sequence in Sketch Film #3. All...

SPHINX ON THE SEINE is a film poem: the beginning of a metaphysical journey, musing on a series of brief, but enigmatic images taken from around the...

Using century old technology, PXXXL creates digital glitch from analog process. It was animated directly on the celluloid without a camera, in a...

#23.2 Book of Mirrors deals with the multiplication of light beams through mirrors and kaleidoscopes.

IFS-Film is a film made on an Atari Mega 2 ST computer using Forth and Assembler computer-animation software.

The title of this video, taken from the texts of the architect Kengo Kuma, suggests a way of looking at everything as “interconnected and...